Hank Williams Jr. with very special guest Tracy Byrd
with special guest Tracy Byrd
Show at 8:00 PM
Hank Williams Jr.'s extremely impressive resume has spawned 70 million albums sold worldwide, six PLATINUM albums, 20 GOLD albums, 13 No. 1 albums and 10 No. 1 singles. Marking 52 years since his first album in 1964, Hank Jr. released IT’S ABOUT TIME (Nash Icon Records) on January 15. In addition to the history-making "Are You Ready for the Country," the project includes new tunes such as "Dress Like an Icon," "Just Call Me Hank," "It’s About Time," and "The Party’s On" as well as re-recorded versions of classics "Mental Revenge" and "Born to Boogie" with Brantley Gilbert, Justin Moore and Brad Paisley on guitar.
IT’S ABOUT TIME is Hank's 37th album in his five-decade career. He continues to add accolades to an extremely impressive resume, which includes ACM Entertainer of the Year, CMA Entertainer of the Year and BMI Icon in addition to winning a GRAMMY and being inducted into the Nashville Songwriters Hall of Fame. As a touring artist, Hank was a pioneer in bringing arena rock production values to country music, and he remains one of the most consistent ticket sellers in music, period, as generation after generation gets turned on to one of the most dynamic live performers ever to take the stage.
Raised in Nashville, Hank, Jr. learned music from the finest of teachers. Earl Scruggs gave him banjo lessons, and Jerry Lee Lewis showed him piano licks. And with rock ‘n’ roll in full flower, Hank, Jr. began playing a lot of electric guitar (though not onstage, where he was taught to do Hank Williams’ songs, in Hank Williams’ style). At age 11, he made his own Opry debut, walking across the same wooden boards his father had walked on, and, just like his daddy, singing “Lovesick Blues” and encoring.
“Went on the road when I was eight years old, when I turned 15 I was stealing the show,” he wrote, accurately, in his 1987 No. 1 single, “Born To Boogie.” And after stealing the show, he was often offered the drinks and pills that were so prevalent among country performers (and that had killed his father). Often as not, as was family tradition, he accepted the offers. He’d also accepted a $300,000-per-year recording contract, and at 15 his version of his father’s “Long Gone Lonesome Blues” climbed to #5 on the country singles chart. Also while 15, he wrote his first serious composition, a slice of autobiography: “I know that I’m not great/ Some folks say I just imitate/ Anymore, I don’t know/ I’m just doin’ the best I can…..It’s hard standing in the shadow of a very famous man.”
That shadow grew darker, as Hank, Jr. entered his 20s. The fans that came to see him on the road wanted, and expected, him to do his father’s songs, his father’s way. Yet he yearned to explore the musical changes that were happening in the early 1970s, the melding of country, blues and rock that made the music of Waylon Jennings and the Marshall Tucker Band so distinct. He also grew increasingly dependent on pills and booze, and increasingly upset about his life’s path. “I just felt all this loneliness and depression,” he told interviewer Peter Guralnick. “I was all tore up about the direction I was heading. Every time I’d play one of Daddy’s records, I’d just start to cry.”
An attempted suicide in 1974 was the low point. Had he died then, at 23, his music career would have been a historical footnote, an addendum to his father’s biography and little more. He moved from Nashville to Cullman, Alabama, rethought his life in and out of music, and recorded his first truly original work, an album called Hank Williams Jr. and Friends that featured Jennings, the Tucker Band’s Toy Caldwell, and others who weren’t in the traditional country camp. And Williams’ songs “Living Proof” and “Stoned at the Jukebox” were his most searing, emotional works to date. But while prepping for a tour, he went mountain climbing in Montana.
“I just had to show ‘em I didn’t need ‘em. And so I headed out west to see some old friends of mine,” he would later sing, in “All In Alabama.” “I thought if I’d climb up old Ajax Mountain, maybe that would help me get it all off my mind.” It was a nice climb, right up until the part where he fell down the mountain.
He lived, barely, but emerged disfigured, wounded and, somehow, inspired. After multiple surgeries and a torturous recovery period, he was determined that he would spend no more time as a Hank Williams retread.
His new music was a turnoff to some longtime fans, but it was embraced by a new crowd that liked this newly bearded Bocephus, who, as he sang in “The New South,” “started turning up loud and looking at the crowd and bending them guitar strings.” Hank, Jr.’s music was now rambunctious, forthright and distinctive.
For Hank, Jr., everything changed with that 1975 dive off Ajax Mountain. The music world caught on to those changes around 1979, the year he released his first million-selling album, Whiskey Bent and Hell Bound, along with his autobiography, Living Proof. In the early 1980s, he catapulted to full-on superstar status, with major hits including “Texas Women,” “Dixie On My Mind,” “All My Rowdy Friends (Have Settled Down),” and in 1984, “All My Rowdy Friends Are Coming Over Tonight,” a party anthem featuring a riotous video that starred Bocephus in conjunction with stars from inside (Merle Kilgore, Porter Wagoner, Kris Kristofferson, etc.) and outside (Cheech and Chong) country music.
In 1987, Hank, Jr. won his first of five country music entertainer of the year awards, and the two albums released that year – Hank Live and studio effort Born To Boogie – were platinum sellers. Born To Boogie was the CMA’s album of the year in 1988, the year he won the CMA and ACM’s top entertainer prize. Hank’s star rose far beyond the country world in 1989, when manager Merle Kilgore arranged a deal with ABC’s Monday Night Football to have Hank, Jr. rework “All My Rowdy Friends Are Coming Over Tonight” into a theme song to be played before each Monday’s game. Two years later, the Monday Night theme won the first of four straight Emmy Awards, and Hank, Jr. would be the singing voice of Monday Night Football for 22 years.
With the Monday Night Football deal in place, Hank Williams, Jr. was now known to millions who had never even listened to country music, and he’d become an ambassador for that musical genre. He’s held that position through the 1990s and up to the present, with hard-charging songs that speak to his truth, his “unique position,” and to our lives. His room-shaking voice is as identifiable to fans as that of his father, and he has passed the family music tradition down to son Shelton and daughter Holly, both of whom are recording artists in their own right.
“I’ve been a very lucky man,” he’s fond of saying, but Hank, Jr. has made his own luck, and made his own way. Given a chance to coast on his father’s songs and his father’s royalties, he found a new song to sing, and a new way to sing it. The father lived 29 years, and the son spent nearly that long standing in his shadow. But it is what the son did after turning 29 that has landed him a place in the Nashville Songwriters Hall of Fame, that has made him a BMI Icon award winner, and one of the best-selling artists in country music history. By finding his own powerful voice, by turns rebellious and vulnerable, he has become a music icon. He remains an inspiration to Alan Jackson, Kid Rock, Jamey Johnson and other followers and a sure-bet for eventual entry into the Country Music Hall of Fame, where his plaque will be displayed in perpetuity, just like his daddy’s, only different. Stop and think it over.
This is a night you certainly don't want to miss and definitely won't forget! Come see an amazing show with Hank Williams Jr. and very special guest Tracy Byrd on Thursday at the 2022 Great Jones County Fair!
with special guest Tracy Byrd
Show at 8:00 PM
w/ Russell Dickerson Track (SRO): $56
w/ Anne Wilson Track (SRO): $30
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